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Tangible Hues. Peretti Griva and Italian Pictorialism' exhibit. From the photograph collection of the National Cinema Museum i
8 February > 8 May 2017
Mole Antonelliana e Bibliomediateca Mario Gromo, Torino

Pictorialism, a fascinating expression of artistic photography, had its moment of maximum splendor between the late 1800s and the first two decades of the 1900s. Pictorial photographers shared a clear-cut aesthetic concept whose goal was to legitimize photography as an artistic expression, on a par with painting and drawing.

Italian Pictorialists competed as equals with virtuoso European and American photographers; they participated and gained renown at the various international Salons of artistic photography.

The exhibit Tangible Hues. Peretti Griva and Italian Pictorialism. From the photograph collection of the National Cinema Museum is dedicated to these highly talented artists.

 



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GUS VAN SANT
6 October 2016 > 9 January 2017
Mole Antonelliana

One of independent filmmaking's most authoritative voices, Gus Van Sant is a versatile, multi-faceted director, painter, photographer and screenwriter. Portland urban landscape, desert spaces, intermittent contact, a somewhat altered perception of youth, are all common core elements of his different artistic mediums, inspired by the Beat Generation and its values.



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HECHO EN CUBA. Cinema in Cuban graphics. Posters from the Bardellotto collection
Mole Antonelliana, 4 February > 29 August 2016
Mole Antonelliana

More than 400 movie theatres were inaugurated in Cuba from the early 1940s (one-fourth of which were located in Havana); the first movie titles proposed (of European, Mexican and Argentine origin) were advertised by many communication agencies that adopted a style of obvious western origin – resulting from the influence of their United States neighbours.

Following the Castro revolution (dated 1 January 1959) and the constitution of the ICAIC (Cuban Institute of Cinematographic Art and Industry), instituted on March 24th 1959, graphic designers began interpreting with a new style the feature films and documentaries arriving from every corner of the world.

The formal independence they enjoyed, together with their unique synthesis of expression skills, would allow them to establish an original movement of full-fledged artists dedicated to cinema propaganda.

Hecho en Cuba, "made in Cuba", became synonymous of creativity and skills; and the carteles de cine (movie posters) represent the most valid and effective proof of the same



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Neorealist Cinema - The Splendour of Truth in the Postwar Italy
June 4 - January 11 2016
Mole Antonelliana

Seventy years after the dazzling appearance of Roma città aperta (Rome, Open City) by Roberto Rossellini, Neorealism continues to be the best known, loved and influential moment in the history of Italian cinema. Through reproductions of stills and film sequence, documents, posters, promo materials, original texts and  screenplays, the exhibition offers an original interpretation of that seminal experience, revisiting the most significant stages and it winds up with the legacy of Neorealism which can be found in numerous filmmakers in contemporary cinema. 



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On the Front. Cameramen and Photographers Recount the Great War
Mole Antonelliana, 29th January - 17th May 2015
Mole Antonelliana


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