GUS VAN SANT 6 October 2016 > 9 January 2017 Mole Antonelliana
One of independent filmmaking's most authoritative voices, Gus Van Sant is a versatile, multi-faceted director, painter, photographer and screenwriter. Portland urban landscape, desert spaces, intermittent contact, a somewhat altered perception of youth, are all common core elements of his different artistic mediums, inspired by the Beat Generation and its values.
HECHO EN CUBA. Cinema in Cuban graphics. Posters from the Bardellotto collection Mole Antonelliana, 4 February > 29 August 2016 Mole Antonelliana
More than 400 movie theatres were inaugurated in Cuba from the early 1940s (one-fourth of which were located in Havana); the first movie titles proposed (of European, Mexican and Argentine origin) were advertised by many communication agencies that adopted a style of obvious western origin – resulting from the influence of their United States neighbours.
Following the Castro revolution (dated 1 January 1959) and the constitution of the ICAIC (Cuban Institute of Cinematographic Art and Industry), instituted on March 24th 1959, graphic designers began interpreting with a new style the feature films and documentaries arriving from every corner of the world.
The formal independence they enjoyed, together with their unique synthesis of expression skills, would allow them to establish an original movement of full-fledged artists dedicated to cinema propaganda.
Hecho en Cuba, "made in Cuba", became synonymous of creativity and skills; and the carteles de cine (movie posters) represent the most valid and effective proof of the same
Neorealist Cinema - The Splendour of Truth in the Postwar Italy June 4 - January 11 2016 Mole Antonelliana
Seventy years after the dazzling appearance of Roma città aperta (Rome, Open City) by Roberto Rossellini, Neorealism continues to be the best known, loved and influential moment in the history of Italian cinema. Through reproductions of stills and film sequence, documents, posters, promo materials, original texts and screenplays, the exhibition offers an original interpretation of that seminal experience, revisiting the most significant stages and it winds up with the legacy of Neorealism which can be found in numerous filmmakers in contemporary cinema.
Once Upon a Time in Italy. Sergio Leone's Cinema 22nd October 2014 - 6th January 2015 Mole Antonelliana, Torino
The National Cinema Museum renders tribute to one of the greatest authors of western cinema with an exhibition conceived by Sir Christopher Frayling and Lorenzo Codelli planned at the Mole Antonelliana from 22nd October 2014 to 6th January 2015
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