Archive
TANGIBLE HUES Peretti Griva and Italian Pictorialism From the photograph collection of the National Cinema Museum
Pictorialism, a fascinating expression of artistic photography, had its moment of maximum splendor between the late 1800s and the first two decades of the 1900s. Pictorial photographers shared a clear-cut aesthetic concept whose goal was to legitimize photography as an artistic expression, on a p... Continue
Gus Van Sant
One of independent filmmaking's most authoritative voices, Gus Van Sant is a versatile, multi-faceted director, painter, photographer and screenwriter. Portland urban landscape, desert spaces, intermittent contact, a somewhat altered perception of youth, are all common core elements of his differ... Continue
HECHO EN CUBA. Cinema in Cuban graphics. Posters from the Bardellotto collection
More than 400 movie theatres were inaugurated in Cuba from the early 1940s (one-fourth of which were located in Havana); the first movie titles proposed (of European, Mexican and Argentine origin) were advertised by many communication agencies that adopted a style of obvious western origin – resu... Continue
Neorealist Cinema - The Splendour of Truth in the Postwar Italy
Seventy years after the dazzling appearance of Roma città aperta (Rome, Open City) by Roberto Rossellini, Neorealism continues to be the best known, loved and influential moment in the history of Italian cinema. Through reproductions of stills and film sequence, documen... Continue
On the Front. Cameramen and Photographers Recount the Great War
Il Museo Nazionale del Cinema propone alla Mole Antonelliana dal 29 gennaio al 3 maggio 2015 la mostra AL FRONTE. Cineoperatori e fotografi raccontano la Grande Guerra, a cura di Roberta Basano e Sarah Pesenti Campagnoni, un percorso per immagini con scatti e riprese realizzati d... Continue