News

PLANET AFRICA is presenting Noi, i Neri by Maurizio Fantoni, for the occasion of the ODYSSEYS exhibition taking place at Palazzo Madama.

Cinema Massimo – 18 November 2017, 8.30 p.m. – Screen Three

For the occasion of the ODYSSEYS. Diasporas, invasions, migrations, voyages and pilgrimages exhibition – scheduled at Palazzo Madama from 16 November 2017 to 19 February 2018 – PLANET AFRICA will unfold with a series of dates on the theme of travel and migration, in Africa and...

Continue

For the Other Views showcase organised by Sindacato Belleville, film screening of L’intrusa by Leonardo Di Costanzo. To follow, meeting with the director.

Cinema Massimo – 22 November 2017, 8.30 p.m. – Screen Three

The Other Views showcase, a cycle of monthly meetings organised by the Sindacato Belleville, an independent collective of film critics, producers and promoters – which will feature the authors themselves taking part in post-screening debates, flanked by critics...

Continue

New Histoire du cinéma at the Cinema Massimo, with Taxi Driver by Martin Scorsese. The film will be introduced by Giaime Alonge.

Cinema Massimo – 22 November 2017, 6.00 p.m. – Screen Three

New rendez-vous for the HISTOIRE(S) DU CINÉMA showcase, with the film screening of Taxi Driver by Martin Scorsese, introduced by Giaime Alonge.

HISTOIRE(S) DU CINÉMA is a showcase – winding...

Continue

For the From DiVision to vision showcase, screening of Alice by Jan Svankmajer.

Cinema Massimo – 20 November 2017, 9.00 p.m. – Screen Three

The second of the two showcases planned by the university students who won the “Young programmers for young spectators 2016” Call by the Cinema Museum, is ongoing. The From DiVisions to visions idea, conceived by the Fantasmagoria group, springs from a reflection on cinema as a...

Continue

One hundred cinemas around the world are recalling Bruno Schulz, with Finding Pictures by Benjamin Geissler.

Cinema Massimo – 19 November 2017, 4.00 p.m. – Screen Three

For the occasion of the 75th anniversary of the murder of Jewish-Polish writer and painter Bruno Schulz, one hundred cinemas scattered around the world are recalling his figure, by all screening Benjamin Geissler’s documentary Finding Pictures on the...

Continue

The Ocean Film Festival - World Tour Italy is arriving at the Cinema Massimo, and in Italy, for the very first time.

Cinema Massimo – 15 November 2017, 8.15 p.m. – Screen Three

The Ocean Film Festival (www.oceanfilmfestivalitalia.it) is arriving for the first time in Italy, and passing through Turin. A crew of modern nomads departs to discover the Pacific Ocean, two young women undertake the very first crossing of the...

Continue

For the Images in an instant: cinema and photography showcase, screening of Rear window by Alfred Hitchcock.

Library/Mediatheque – 16 November 2017, 3.30 p.m. – Events Room

For the occasion of the exhibitions dedicated to the OUT OF FOCUS winning projects, the first of them being ART OF DECAY by Andrea Meloni – lately inaugurated on 23 October in the showcasing venue at the Mario Gromo ...

Continue

Change of opening hours

On Friday, November 24th, the National Cinema Museum will be closed at 3 p.m. (last admission at 2 p.m.)

On Friday, November 24th...

Continue

The ‘Revolution screen’ showcase

Da lunedì 30 ottobre a mercoledì 22 novembre 2017- Cinema Massimo, Sala Tre
 

For the occasion of the hundredth anniversary of the Russian Revolution, the National Cinema Museum and the Business Cinema National Archive are presenting a film showcase titled THE REVOLUTION SCREEN at the Cinema Massimo and at other venues, from Monday 30 October to Wednesday 22 November.

Continue

For the occasion of The Revolution screen showcase, SPECIAL EVENT at the Mole with a premiere screening of the restored Battleship Potemkin.

Mole Antonelliana – 6 November 2017, 6.00 p.m. – Turin

For the occasion of the centenary of the Russian Revolution, within the film showcase titled THE REVOLUTION SCREEN, special event on Monday 6 November at 6.00 p.m. in the Temple Hall at the Mole Antonelliana, with the screening of a version of...

Continue