News

PLANET AFRICA is back, featuring the documentary 18 IUS SOLI by Fred Kuwornu, for the occasion of African October 2014.

Library/Mediatheque – 10 October 2014, 10.00 a.m.

PLANET AFRICA, the event organised by National Cinema Museum since 2010, is back, its main aim being to place the African continent, with its strong issues but also the great positive and suggestive trends that are taking shape, at the CORE of careful reflection...

Continue

Evening in collaboration with ANCI – CSC, dedicated to documenting Fiat industrial reality at Mirafiori with Elena Testa and Sergio Toffetti.

Library/Mediatheque – 8 October 2014, 8.30 p.m.

Following the summer break, the MUSEUM AND TERRITORY rendez-vous are back at the Library/Mediatheque, with a project dedicated to the enhancement of the partnership between the National Cinema Museum and Circoscrizione3.

 

The...

Continue

Bringing up Baby by Howard Hawks presented by Giaime Alonge for HISTOIRE(S) DU CINÉMA.

Cinema Massimo – 8 October 2014, 6.00 p.m. – Screen Three

Second rendez-vous for Histoire(s) du cinéma, the showcase dedicated to students but also to cinema buffs, with the screening of Bringing up Baby by Howard Hawks, introduced by Giaime Alonge....

Continue

Special evening for DOC in October with Cotton by Zhou Hao, presented on this occasion by Michel Noll from the Écrans de Chine festival.

Cinema Massimo – 8 October 2014, 9.00 p.m. – Screen Three

Following the summer break, the National Cinema Museum rendez-vous dedicated to documentary is returning. On this occasion, and in view of the first Italian edition of the Chinese documentaries festival Écrans de Chine – Luci dalla Cina in Rome from 3 to 5 October –...

Continue

MAGNIFICENT VISIONS will screen The killers by Don Siegel.

Cinema Massimo – 7 October 2014, 8.30 p.m./10.30 p.m. – Screen Three

New rendez-vous for Magnificent Visions. The Permanent Festival of Restored Film, with the public screening of the restored The killers by Don Siegel (Usa 1964, 100’, Hd, col. o.v. it. subs.). Repeat screening on Wednesday 8...

Continue

Screening of Signorina Effe by Wilma Labate for the MOVING TFF showcase, the run-up circuit towards the 32nd Torino Film Festival.

Library/Mediatheque – 6 October 2014, 3.30 p.m.

For the occasion of the 32nd Torino Film Festival, which will take place from 21 to 29 November 2014, the dates for Moving TFF, the film showcase acting as a run-up circuit towards the Turin festival, will continue at the “Mario Gromo” Library/Mediatheque. The film...

Continue

The partnership with the INCANTI Festival continues, with an evening on the theme of puppets and cinema.

Cinema Massimo – 6 October 2014, 8.30 p.m. – Screen Three

The partnership between the National Cinema Museum and the Incanti Festival, now reaching its 21st edition, is continuing again this year. There will be a special evening on Saturday 6 October, starting from 8.30 p.m. at the...

Continue

The Colour of Seasons, Films by Nuri Bilge Ceylan

Cinema Massimo – from 3 to 14 October 2014 – Screen Three

The National Cinema Museum will dedicate The colour of seasons retrospective to the of cinema Nuri Bilge Ceylan, the Turkish director, writer and actor famous worldwide, and recipient of many cinema awards over the past years including the Palme d’...

Continue

Following the summer break, HISTOIRE(S) DU CINÉMA is back with the screening of Le quai des brumes by Marcel Carné.

Cinema Massimo – 1 October 2014, 6.00 p.m. – Screen Three

Following the summer break, Histoire(s) du cinéma, the rendez-vous dedicated to students but also cinema buffs, is back with the screening of Le quai des brumes (Port of shadows) by Marcel Carné, introduced by Giaime...

Continue

For NIC’S MOVIE, film screening of The duellists by Ridley Scott. Presented by Giaime Alonge and Davide Ferrario.

Cinema Massimo – 1 October 2014, 8.30 p.m. – Screen Three

For NIC’S MOVIE, the rendez-vous dedicated to the debut of great authors but also to new filmmakers, the film The duellists by Ridley Scott will be screened on a restored print in memory of Nicola Rondolino’s films and his commitment to...

Continue