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Movie Club 2.0 – Yesterday, today, tomorrow… at the cinema presents "Sullivan’s travels" by Preston Sturges. Meeting with Antonella Parigi and Donatella Mutti.
Cinema Massimo – 10 April 2017, 9.00 p.m. – Screen Three
The first of the two showcases planned by those university students selected amongst the participants at the “Young programmers for young audiences” Call launched during the summer by the Cinema Museum is continuing. The idea for Movie Club 2.0, planned by ‘I 92 minuti di...
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For our customary rendez-vous with CROSSROADS, Alberto Ferrari, the Verdena band leader, is providing the soundtrack for "Genuine" by Robert Wiene.
Cinema Massimo – 9 April 2017, 9.00 p.m. – Screen One
The Crossroads – Musical Trips rendez-vous in April, a cycle dedicated to the stimulating blend of music and cinema, is offering an unmissable event for lovers of this genre: Alberto Ferrari Vs Genuine.
Following two years packed with...
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The customary annual rendez-vous with Rendez-Vous. New French cinema, is kicking off at the Cinema Massimo. Guest, Martin Provost.
Cinema Massimo – 8/12 April 2017 – Screen Three
The National Cinema Museum is presenting its customary annual rendez-vous with Rendez-Vous. New French cinema, the brief showcase dedicated to French contemporary cinema organised by the French Embassy and by the Institut Français with the...
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"Saikaku ichidai onna" by Mizoguchi Kenji will open MOVIE CLUB 2.0.
Cinema Massimo – 16 January 2017, 9.00 p.m. – Screen Three
The first of the two showcases planned by those university students selected amongst the participants at the Young programmers for young audiences Call launched during the summer by the National Cinema Museum, will begin in January. The idea for Movie Club 2.0, planned...
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For the 35mm showcase in January, "Tapage nocturne" by Catherine Breillat.
Cinema Massimo – From 15 to 24 January 2017 – Screen Three
The January rendez-vous with 35mm - the cycle conceived for the enhancement of the National Cinema Museum heritage on film – will feature Tapage nocturne (Night after night) by Catherine Breillat.
An intense and thrilling film, to be...
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Box-office champion "Pets" is the next CINEMA WITH YOUR BABY.
Cinema Massimo – 15 January 2017, 10.30 a.m. – Screen One
Cinema with your baby, the initiative by the National Cinema Museum and the Giovani Genitori Association, which features one monthly matinee screening dedicated to families with babies and tiny tots, is back.
The rendez-vous will be on Sunday 15 January 2017 at 10.30 a.m. at...
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PLANET AFRICA presents "Le Djassa a pris feu" by Lonesome Solo.
Cinema Massimo – 13 January 2017, 8.30 p.m. – Screen Three
The PLANET AFRICA rendez-vous will also continue in 2017, featuring a focus in January on the Ivory Coast and its cinema, which was almost inexistent until a producer, Philippe Lacôte, founded Wassakara Productions in 2003, thus contributing to the formation of a young...
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The edge of darkness –Denis Villeneuve‘s cinema film showcase.
Cinema Massimo – from 13 to 27 January 2017 – Screen Three
The National Cinema Museum is presenting the showcase titled The edge of darkness –Denis Villeneuve‘s cinema at the Cinema Massimo, from Friday 13 to Friday 27 January. This showcase at the Cinema Massimo will be inaugurated on Friday 13 January at 4.30 p.m. by the screening of...
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I’M OFF TO THE MASSIMO! – The youth cineclub is presenting "Rear window" by Alfred Hitchcock.
Cinema Massimo – 11 January 2017, 6.00 p.m. – Screen One
Kick-off for the cinema showcase curated by students who took part in the I’M OFF TO THE MASSIMO! – The youth cineclub project: the themes it features are five (Great Authors, In-formation, A gaze on the world, Science Fiction, Sport Docu-films) for five films presented and reviewed by...
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Evening in memory of Gianni and Nicola Rondolino, with the screening of "Tre punto sei" by Nicola Rondolino.
Cinema Massimo – 11 January 2017, 8.30 p.m. – Screen Three
One year after the demise of Gianni Rondolino, the National Cinema Museum and Turin University are recalling this great film historian, who initiated generations of scholars and cultural operators who have always kept referring back to his lessons.
Recalling Gianni Rondolino inevitably...
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