Events in Cinema Massimo

Cinema Massimo – From 4 to 10 march 2011

– Monday 7 March 2011, at 3.45 p.m./6.30 p.m./9.15 p.m. – SCREEN TWO

The National Cinema Museum presents Alfred Hitchcock’s film North by Northwest for the LEGEND FILM FESTIVAL in a 2K digital version.

 

The National Cinema Museum presents Alfred Hitchcock’s film North by Northwest on Monday, 7 March 2011 from 3.45 p.m. in Cinema Massimo’s Screen Two, shown in a 2K digital version. The film is the eighth Turin-based event of the Legend Film Festival, organised by Nexo Digital in partnership with the National Cinema Museum. The film will be repeated at 6.30 p.m. and 9.15 p.m. Admission: €7.00/5.00/3.50.

The Legend Film Festival is a touring film exhibition comprised of different sections which will visit many Italian cities during the months it is running. It is a true cultural event that focuses on the masterpieces of the cinema, screening them in 2k digital and audio Dolby Digital 5.1 formats.

 

– Tuesday 8 March 2011, at 8.45 p.m.

The MAGNIFICHE VISIONI (MAGNIFICENT VISIONS): Permanent Festival of Restored Film presents Bob Fosse’s film Lenny.

 

The National Cinema Museum presents the restoration of Bob Fosse’s film Lenny on Tuesday, 8th March 2011 at 8.45 p.m. in Cinema Massimo’s Screen Three, showing a copy reprinted by Carlotta Film. The screening will be repeated on Wednesday, 9 March at 4.30 p.m.

The film is the ninth screening in the new and exciting season of the MAGNIFICHE VISIONI (MAGNIFICENT VISIONS): Permanent Festival of Restored Film. Admission: 5.50/4.00/3.00 euros.

Following its enormous success among members of the public and critics alike, this year the MAGNIFICHE VISIONI (MAGNIFICENT VISIONS): Permanent Festival of Restored Film will hold four events every month, showcasing cinema masterpieces from the golden age of classic cinema, ranging from silent film to the nouvelles vagues of the 1960s and beyond, in restored copies loaned from the most prestigious film archives in the world. The films will be shown in their original versions with Italian subtitles and every screening will be introduced – whenever possible – by film directors, critics or celebrities from the world of film and culture.


–  Wednesday 9 March 2011, at 8.45 p.m.

The National Cinema Museum presents a preview of Gabriele Vacis’ film La paura siCura at Cinema Massimo. The film will be introduced by its director who will be joined by Davide Oberto. After the screening there will be a talk by Pietro Buffa, Sister Giuliana Galli and Francesca Gancia.

 

The National Cinema Museum, in partnership with Turin’s Circolo dei Lettori book club, FISU and Inteatro, presents a screening of the film La paura siCura, directed by Gabriele Vacis, as part of the La paura sicura project run by FISU (the Italian Forum of Urban Security) co-produced with the Inteatro Centre of Polverigi. The screening will be on Wednesday, 9 March 2011, at 8.45 p.m., in Cinema Massimo’s Screen Three.

The film will be introduced by Gabriele Vacis and Davide Oberto. After the screening there will be a talk by Pietro Buffa (director of Turin’s detention centre), Sister Giuliana Galli and Francesca Gancia (Turin’s Mamre Centre). Admission free.

 

–  Thursday 10 March 2011, at 9 p.m. – Screen Two

 To mark the inauguration of the NOI CREDEVAMO (WE BELIEVED: The Risorgimento according to Martone) great exhibition – which will be held at the National Cinema Museum until 15th May – a screening of Mario Martone’s acclaimed film with the film director himself in attendance

 

To mark the inauguration of the NOI CREDEVAMO (WE BELIEVED: The Risorgimento according to Martone) great exhibition – which will be held at the National Cinema Museum from 10th March to 15th May – Mario Martone’s highly acclaimed film will be screened on Thursday, 10 March 2011 at 9 p.m., at Cinema Massimo’s Screen Two. The film recounts the complex and often dramatic events that occurred during the Italian Risorgimento. The film director himself will present the film. Admission: 5.00 euros.

The film is the subject of the great exhibition held at the Mole Antonelliana and organised by Alberto Barbera, which tells the tale of this film using photographs, a film that has already become a cause celebre following its positive reception by critics at the Venice Film Festival and its even greater success with cinema audiences. A reinterpretation of a fascinating work that combines the complexity of historical assessment with a narrative of rare expressive power and an exemplary direction of the film’s actors. The 190 images displayed in the exhibition, featuring set stills and frames, are accompanied by a catalogue that addresses many interesting issues.